Sunday, July 31, 2011

Things I've looked up for The Paris Wife

First, I love the language and I'm really savoring reading this book but I need to pick up the pace. I have stacks of reading waiting, not to mention Madame Bovary for book club. I have lots of chanson and bal musette music set aside to put me in the mood though, no worries.

I didn't know a lot about Hadley Hemingway, other than she was quite an influence on Ernest. I didn't realize she was 8 years older than him and they married when he was only 21. Despite her fame (even before I started on this book, she was the only spouse of his I could name, although that's probably because of A Moveable Feast), they were only married from 1921-1926. Here is a picture of the both of them with their son John in 1926:


He looked old even when he was young.

According to Wikipedia, she remarried Paul Mowrer, a Pulitzer Prize winning journalist, in 1934. Hemingway gave her all of the proceeds from The Sun Also Rises in the divorce (she also was paid for the movie rights.) She only saw Hemingway once more, on vacation in Wyoming. She outlived Hemingway by nearly 18 years, dying in January of 1979. It's all very sad considering how in love they once were and the circumstances of Hem's death. By many accounts, he regretted dumping Hadley for women who were more trendy.

Hadley mentions shopping at Les Halles marketplace (not sparing any details about the rats in the alleyways and the stench of rotting food-also, when you bought a chicken there, it was a whole feathered dead chicken.)  Les Halles was torn down in 1971 and relocated to the suburbs. There is now a huge underground mall on the site. There weren't many pictures I could find, but here's one of the market from 1954:

Wednesday, July 27, 2011

Poem of the Day-Pablo Neruda

Pablo Neruda (1904–1973) is famous of course as being perhaps the greatest poet of the Spanish language. I guess some people were turned off by him for his love of communism. Ezra Pound's boner for fascism keeps me from enjoying his work but the fact that it's not very accessible probably doesn't help.

No rhetoric here though, my droogs. Just an ode to his dog that is truly lovely. If dogs don't go to heaven then no one will.



My dog has died.
I buried him in the garden
next to a rusted old machine.

Some day I'll join him right there,
but now he's gone with his shaggy coat,
his bad manners and his cold nose,
and I, the materialist, who never believed
in any promised heaven in the sky
for any human being,
I believe in a heaven I'll never enter.
Yes, I believe in a heaven for all dogdom
where my dog waits for my arrival
waving his fan-like tail in friendship.

Ai, I'll not speak of sadness here on earth,
of having lost a companion
who was never servile.
His friendship for me, like that of a porcupine
withholding its authority,
was the friendship of a star, aloof,
with no more intimacy than was called for,
with no exaggerations:
he never climbed all over my clothes
filling me full of his hair or his mange,
he never rubbed up against my knee
like other dogs obsessed with sex.

No, my dog used to gaze at me,
paying me the attention I need,
the attention required
to make a vain person like me understand
that, being a dog, he was wasting time,
but, with those eyes so much purer than mine,
he'd keep on gazing at me
with a look that reserved for me alone
all his sweet and shaggy life,
always near me, never troubling me,
and asking nothing.

Ai, how many times have I envied his tail
as we walked together on the shores of the sea
in the lonely winter of Isla Negra
where the wintering birds filled the sky
and my hairy dog was jumping about
full of the voltage of the sea's movement:
my wandering dog, sniffing away
with his golden tail held high,
face to face with the ocean's spray.

Joyful, joyful, joyful,
as only dogs know how to be happy
with only the autonomy
of their shameless spirit.

There are no good-byes for my dog who has died,
and we don't now and never did lie to each other.

So now he's gone and I buried him,
and that's all there is to it.

Friday, July 22, 2011

final thoughts on The Sign of Four, + first and last

The (in)famous Mormon interlude in A Study in Scarlet may have been a little clunky but I still think I preferred that to the second Holmes novel. Too many characters that want to tell the story "FROM the beginning." And the beginning went back a ways. It was like hanging out with someone who didn't know who to edit their own stories. Interesting detail about the 1857 war in India though which led me to a Google Books result of a version with an appendix by Shafquat Towheed about Doyle's treatment of the uprising (surprisingly accurate given he didn't witness it first-hand.)

Some of the dialogue though feels very contemporary. I'd heard of course about Holmes's predilection for cocaine but it's funny that he shoots up to keep his mind busy and interesting that Doyle book ends the story with him fixing. And then there's the Watson and Mary Morstan business. They hang out for a few hours total and decide to get married. I had never even heard that Watson was married so I googled it and Doyle evidently thought it was a bad idea too and she vanishes without explanation later on. Let the bromance continue unfettered.

First:

Sherlock Holmes took his bottle from the corner of the mantelpiece, and his hypodermic syringe from its neat morocco case.

Last:

"The division seems rather unfair," I remarked. "You have done all the work in this business. I get a wife out of it, Jones gets the credit, pray what remains for you?"
"For me," said Sherlock Holmes, "there still remains the cocaine bottle." And he stretched his long white hand up for it.

Poem of the day-Raymond Carver

Not actually from Poetry Found. I just happened to see it quoted somewhere and it's possibly my favorite Raymond Carver poem (as opposed to this one about how the dog being run over inspired him to write a great poem about how sad his daughter was about the dog. A lot of dogs seem to die in Chandler's stuff.)

“Rain” 
by Raymond Chandler

Woke up this morning with
a terrific urge to lie in bed all day
and read. Fought against it for a minute.

Then looked out the window at the rain.
And gave over. Put myself entirely
in the keep of this rainy morning.

Would I live my life over again?
Make the same unforgivable mistakes?
Yes, given half a chance. Yes.

Thursday, July 21, 2011

What I've looked up for The Sign of Four

The previous ACD novel that I got from the library had fabulous footnotes. This copy has none but it's a gift so not to look a gift Doyle in the mouth because I'd be looking things up anyways.

So, Thaddeus Sholto is a sickly guy who has information for Holmes and Watson's client, Mary Morstan, about the disappearance of her father years ago when he returned to London from service in India. Sholto mentions he is destined with his health to be a valetudinarian which interestingly can mean either an invalid or a hypochondriac.

Evidently, there was a large collection of Far East valuables that Morstan and Sholto Senior were supposed to divvy up but Morstan died unexpectedly and Sholto concealed it. Too long to get into the story but he set aside a chaplet to give to Mary but he was a greedy prick so he didn't want it given to her until he died. Thaddeus sent her one pearl at a time. You can gather from the context it's some sort of necklace. More specifcally, these are prayer beads like, but not necessarily, a rosary.

Thaddeus says at one point "Le mauvais gout mene au creme" which means, "Bad taste leads to crime." It's a quote from Stendhal.

It's mentioned that Thaddeus has an astrakhan collar. Curious about what exactly that looks like?






Sholto mentions his collection of paintings by Corot, Salvator Rosa and Bouguereau. I was only vaguely familiar with Corot. Rosa (1615-1673) was an Italian Baroque painter and printmaker.

William-Adolphe Bouguereau (1825-1905) was a French Classicist painter. He seems to have painted quite a variety of subjects: mythology, pietas, contemporary scenes. Apparently, he was mad popular during his lifestyle was but was derided by Degas and company for being too slick.

I really enjoy the Dutch Realism influence he shows. See here:


Tete L'Etude l'Oiseau



The Wave

There is a quote from Goethe between Holmes and Watson that I was going to include but in the end, I'm  because evidently it was a misquote and it's long and full of crazy teutonic diacritics.

Wednesday, July 20, 2011

Flying high in the DCnU

The comics world is all abuzz with the DC "Don't call it a reboot." Some people are pissed because they are making Barbara Gordon Batgirl again because she was so inspirational as Oracle-this is a really long story but Barbara has been in a wheelchair ever since The Joker shot her in the Alan Moore-penned The Killing Joke which inevitably leads to debate on whether that story was intended to be part of the canon. Gail Simone is writing that comic (yay!) and I'll let her have the final say.

Others are pissed because they've been reading comicses since 1974. Overheard at the local store today for example, "They should just call it a reboot man. The new Superman can't even FLY."

Some are worried over what became of their favorite characters. For me, that's Huntress but she appears to have a mini-series coming in October so all is well. Now riddle me this: where is Question?

But the real reason to be pissed is if, like me and my compatriots in the comics forum on Goodreads is that we keep finding more shit to BUY.

Here as it stands is my current pull list for September:

  • Aquaman-if Geoff Johns can do for Arthur Curry what he did for the Green Lantern, I am in.
  • Justice League: Johns again with Jim Lee on art. If there's on complaint about DC, it's their mismanagement of their flagship titles (I don't, for now, give a shit about digital comics but that will change if I ever get an iPad.) Johns and Lee though=hell yeah for a title I never cared about.
  • The Fury of Firestorm: I have never read this comic but I will follow Gail Simone anywhere. Also, I'm curious about artist turned writer Ethan Van Sciver. 
  • Green Arrow: I love Ollie. He's green-like eco green. 
  • Green Lantern, et al: ok, here's where things get hairy. I love me some Green Lantern. War of the Lanterns? Riveting. Death of Mogo? Please, I can't blog and cry. But they are pulling some XMen style shit here. 4 titles I'd have to follow every month? I'm ordering all 4 for now but I'm hoping at least one or more of the new ones suck so I can scale back. Gotta say though, I AM pretty hyped for the Red Lantern Corps. We'll burn you all, that is your fate!
  • Action Comics: I've never gotten into Superman that much but the new cover looks pretty cool and freaking Grant Morrison is writing it. And  I'm betting bitching dude at the comics store is in line behind me.
  • Supergirl: another title I never much cared about but I'm intrigued by the concept--apparently Supe's cousin is not very fond of humans.
  • Batman, et al: another Lantern style mess here. I won't be following any of the Batman versions but count me in on Batgirl (again, Gail Simone), Batwoman (is she Kathy Kane?), Catwoman, Nightwing (I've always been more of a Dick Grayson fan), and maaaybe Omac (which is written by Dan DiDio himself.) Tell me the last means more Outsiders. And Birds of Prey which-alas-Gail Simone is off of. The last issue by Marc Andreyko was just ok. Come reboot, it'll be penned by Duane Swierczynski.
  • Justice League Dark: John Constantine is back in the DC U.
  • Swamp Thing:... and so is Swamp Thing and he's written by Scott Snyder
  • Suicide Squad
So that's, what, 18 pulls so far? Not counting OMAC which I'm not sure about. I'm pissed at Marvel for some fuckery involving Spider Island so I'm waiting for TPB on that series at least. I'm sure-or, I hope-I won't be keeping up with all of these. A guy at the store told me he resolves these issues by buying DC and waiting for TPB on everything else. But he wasn't aware that you could check graphic novels out of the library so his money-saving plan seems to be lacking.

Mysteries of the universe

Finally finishing up the series from Astronomy Cast on mysteries (...of the solar system, of the galaxy.) This one on the universe, naturally.

The show notes are located here and here. As usual, any additional links came from these sources.

1.) It all started with a Big Bang-Hey!: but-why? The universe, as Edwin Hubble knew, is moving away from itself and this expansion originated from a single point. The Big Bang Theory perfectly explains the universe that we observe today but it doesn't explain how it got here. This has been complicated by the results of WMAP (Wilkinson Microwave Anisotropy Probe) which studied the after-image of the Big Bang, the Cosmic Microwave Background which showed that the universe was too homogeneous. There are different theories for the cause: a quantum bounce, something about cosmic foam and the multiverse. But because the Big Bang occurred before time, we don't know and don't know (for now) how to know.

2.) Inflation: on a related note, what exactly "banged" and started the expansion? This deals with a very specific and minute period of time in the first second following the Bang event-well, maybe after the Bang event or, maybe before-when objects when matter was moving away from each other at faster than light speeds. Now, this is confusing and seems to contradict Einstein so Pamela qualifies this by saying, "Now, it wasn’t that they were moving through space faster than the speed of light. It was that the whole universe was expanding such that two points seemed to be moving apart faster than the speed of light, which is completely legal according to relativity." Inflationary theory says the cause is a form of repulsive gravity. Again, the reason this theory of inflation is so appealing is the homogeneous appearance of the universe. There are some good graphics on this here and more than you'll ever want to know here.

We don't know what triggered this high-energy even or what stopped it, partially because it's hidden behind the CMB. Which brings us to...

3.) Will we ever be able to see past the Cosmic Microwave Background: Here's (one of) the important things to remember about the CMB--it's not the glowing remnants of the Bang. It's 300-400 thousand years afterwards when the universe had cooled enough that it was no longer opaque (the opacity was caused by the constant absorption and re-absorption of photons.) One way we might be able to peer past it in the future is with gravitational wave detectors instead of using the spectrum of light. In fact, it might be the only way. But we have to get much better at detecting gravitational waves. The big advantage of gravitational waves is that, while they weaken by distance traveled, they are unchanged by anything they come in contact with, unlike electromagnetic radiation.

4.) What the hell is dark energy: Oh, this thing again. Our understanding of dark energy dates back to 1998 when two competing scientific teams were trying to measure the rate at which the universe's expansion was slowing down (which was as we understood it at the time, because of the gravitational drag caused by all the large masses out there) by studying supernovae. Instead, they found it was expanding. They thought they had made an error and squandered their Hubble time. Much math ensued. But, no. It's not slowing down, it's expanding faster and faster.

5.) Do galaxies top off or bottom out: Amazingly, we don't really understand galaxy formation, which began forming around 13 billion years ago. There are two theories.

"Top-down" says you have a large swirling cloud of gas and dust. The cloud begins collapsing due to internal gravity (so, the galaxy that is formed is smaller than the original cloud.) The speed of the original rotating cloud determines whether you get an elliptical galaxy (slow rotation) or spiral (fast rotation.)

"Bottom-up" galaxies are formed by the attraction of a number of small clumps. As the clumps, uh, clump together it draws more clumps. If this theory is correct, then the universe would exhibit more small galaxies than larger ones and superclusters would still be in the process of forming. Both of these things are true.


The upcoming-and delayed-James Webb Telescope could provide the answer here.

6.) What came first-the galaxy or the supermassive black hole at the center: this question becomes more intriguing when you consider the mass of the black hole seems to have some correlation with the mass of the galaxy that surrounds it.

More specifically, it relates to the mass of the bulge. The bulge refers to a tightly packed group of stars when viewing a galaxy. It gets a little esoteric with elliptical galaxies (or maybe I'm just tired) as they say the whole structure is the bulge but you can easily see it here in this image of the spiral galaxy Messier:


The bulge can be said to begin where the spiral structure appears to end.

The supermassive hole equates consistently to around 1/1000 the mass of the bulge. So, did one precede the other or did they form in concert somehow? This is another question that they hope the James Webb will answer as we'll be able to look further away at more galaxies and see if the presence of the black hole and the ratio holds constant.


7.) Whither the green galaxies

8.) Dark matter: you can't have dark energy without bringing up dark matter.  The good news is that while we are a ways away from figuring out dark energy, we are evidently close to a breakthrough hopefully on dark matter. The notion of dark matter, like dark energy, again comes from an observation of something moving too fast. In this case, it's the rotation of galaxies that are rotating faster than their observable mass should allow.

When it's existence was first hypothesized, one of the competing theories was that gravity acts unpredictably over long distances. At least they've been able to can that theory. Unpredictable fundamental forces stress me out. And whatever dark matter is, it appears to be non-baryonic in nature; that is, not made up of things made up of quarks-protons and neutrons essentially. And needless to say, it doesn't interact with the electromagnetic spectrum hence its name. Apparently using neutrino detectors, they are getting some nibbles.

Related question, where then are the dark matter galaxies?

Sunday, July 17, 2011

First and last for The Postman Always Rings Twice

Now that I've finally read the book, Jack Nicholson was not right for that role (in the Bob Rafelson movie. Bob had worked with Jack a few times by that point though so it makes sense.) And I understand the weird lion tamer cameo (never really explained) by Anjelica Houston. One of those books that looks simple but would be hard to write. I'd like to read Mildred Pierce at some point.

I agree with Cora that I could not go tramping about the country like Frank. Was this supposed to be set in the 1920's like the Ruth Snyder case or around the time Cain wrote it (1934) which would have made a big difference. I wonder if it was before because Frank sure had no trouble finding a decent job in what would have been Depression-era California.  This of course doesn't mean I sympathize with Cora but it is sad that the moment they decide to go straight, the wheel of karma rolls over them both. Then again, would they really have mended their ways or would the baby just have grown up with two people who are always either fighting, fucking or plotting each other's demise.

First line:

They threw me off the hay truck about noon.

Last:

Here they come. Father McConnell says prayers help. If you've got this far, send up one for me, and Cora, and make it that we're together, wherever it is.

Tuesday, July 12, 2011

Poem of the day-Mirza Asadullah Khan Ghalib

Today's poem comes from Mirza Ghalib (1797-1869). It sounds pretty contemporary to me but evidently he was a Mughal Empire poet. Maybe this is due to the translation by poet Vijay Seshadri. He wrote in Urdu and Persian. During his life, he saw the end of the Mughal Empire, replaced by the British Raj. He apparently was a cool guy: a Sufi mystic, gambler and womanizer and proud of it. He has been portrayed in Indian and Pakistani cinema, although not always accurately of course.

Why I like it: how is this poem over 100 years old? It's sad but it's funny. Is he serious? I think he's pulling my leg.


“No, I wasn’t meant to love and be loved”

By Mirza Asadullah Khan Ghalib
Translated By Vijay Seshadri  

 
No, I wasn’t meant to love and be loved.   
If I’d lived longer, I would have waited longer.   

Knowing you are faithless keeps me alive and hungry.   
Knowing you faithful would kill me with joy.   

Delicate are you, and your vows are delicate, too,   
so easily do they break.   

You are a laconic marksman. You leave me   
not dead but perpetually dying.   

I want my friends to heal me, succor me.   
Instead, I get analysis.   

Conflagrations that would make stones drip blood   
are campfires compared to my anguish.   

Two-headed, inescapable anguish!—
Love’s anguish or the anguish of time.   

Another dark, severing, incommunicable night.   
Death would be fine, if I only died once.   

I would have liked a solitary death,   
not this lavish funeral, this grave anyone can visit.   

You are mystical, Ghalib, and, also, you speak beautifully.   
Are you a saint, or just drunk as usual?   

Things I'm wondering about this week

I called my mother the other day and caught her in the middle of watching Starship Troopers. I could just as easily say I'm wondering why my mother would be watching something like Starship Troopers. But let's not get existential. I mentioned to her that some people complained that the Heinlein source material was antisemitic, or at least that is what I remembered. We both agreed that clearly there is nothing about the movie that struck us that way unless Denise Richards is Jewish which would be an embarrassment to Jews everywhere.

I googled this and couldn't find a lot. One was a comment on a far-right wackjob site that I'm not going to link to (apparently, liberals want you to believe that it's racist. He's totally right too. It's all part of my brilliant liberal conspiracy to take over the country and kill Jesus by convincing dittoheads that Paul Verhoeven films suck. Bwah ha ha. Except for Showgirls which is totally awesome. I'm erect, why aren't you erect?)

The evidence in the Wikipedia article is pretty flimsy. They just say basically that "bugs" sounds an awful lot like "Jews" (really? How are you pronouncing that?) And Verhoeven's uniforms looked kinda Nazi-ish but Verhoeven says he didn't even finish the book-it was boring and depressing. Hah! I love you Paul Verhoeven. All is forgiven.

I read Stranger in a Strange Land and HATED it violently so I will not be reading anymore Heinlein but it's interesting how jingoistic Starship supposedly is while Stranger is so hippy dippy-and sexist. I've heard The Moon is a Harsh Mistress is interesting but a really tedious read. Everyone speaks in some kind of patois that is difficult to pick up on. No thanks.

So, I dunno on all that. Onto other matters. Namely, my co-worker Herb came into my office today and was admiring my periodic table. He mentioned that thorium is being looked at as a reactor fuel that is better and more stable than uranium. We wondered why, if that's so, it hadn't been considered before.

I wondered if it was rare but that's not the case. Apparently, it's been known for a while that thorium is a good alternative and will produce less waste. The reason it's not being used is mainly to do with the existing infrastructure, which is set up to use uranium. The decision to use uranium was originally driven by Cold War expediencies. India and Australia have huge thorium reserves.

Friday, July 8, 2011

Poem of the day-Terrance Hayes

Today's poem is from Terrance Hayes (b. 1971.) Poetry Found doesn't have much to say about him. He's from South Carolina originally and teaches creative writing at Carnegie Mellon. I would be about 5000 times more interested in his class after reading this poem.

Why I like it: it's always dicey (for me) to read about sex and romance in poetry. It gets too....goopy and mopey-eyed. But put that sex and romance inside a gay boy bar and now you've got my attention. Other than my love for all things homosexual and male, I like the unexpected juxtaposition of his childhood memory.

(I'll admit though I can't decide if the wet and holy bit at the end is a bit too uncomfortable and I'm not sure why. Too vivid? Those words don't belong together? But that's also part of what makes it great.)

At Pegasus

By Terrance Hayes
They are like those crazy women
    who tore Orpheus
            when he refused to sing,

these men grinding
    in the strobe & black lights
            of Pegasus. All shadow & sound.

“I’m just here for the music,”
    I tell the man who asks me
            to the floor. But I have held

a boy on my back before.
    Curtis & I used to leap
            barefoot into the creek; dance

among maggots & piss,
    beer bottles & tadpoles
            slippery as sperm;

we used to pull off our shirts
    & slap music into our skin.
            He wouldn’t know me now

at the edge of these lovers’ gyre,
    glitter & steam, fire,
            bodies blurred sexless

by the music’s spinning light.
    A young man slips his thumb
            into the mouth of an old one,

& I am not that far away.
    The whole scene raw & delicate
            as Curtis’s foot gashed

on a sunken bottle shard.
    They press hip to hip,
            each breathless as a boy

carrying a friend on his back.
    The foot swelling green
            as the sewage in that creek.

We never went back.
    But I remember his weight
            better than I remember

my first kiss.
    These men know something
            I used to know.

How could I not find them
    beautiful, the way they dive & spill
            into each other,

the way the dance floor
    takes them,
            wet & holy in its mouth.

Thursday, July 7, 2011

First and last for The Bell Jar

Ending, appropriately, on Esther's exit interview from the asylum.

(Also, I get why Esther hated Buddy Willard so much but I never did until the end and his "Who's going to marry you now?" remark. She was still in the asylum and Joan had hung herself. Insensitive remark, even worse timing.)

First:

It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn't know what I was doing in New York.

Last:

The eyes and the faces all turned themselves toward me, and guiding myself by them, as by a magical thread, I stepped into the room.

Poem of the day-Mary Robinson

Catching up here. This selection is from Mary Robinson (1758-1800.) She was a mistress of the man who would become King George VI but don't look down on her as some royal hanger-on. Besides being a poet (called "The English Sappho"), she was also a Shakespearean actress and advocate for women's rights.

The King guy (then the Prince of Wales) also treated her pretty badly. She died fairly young after spending several years in poverty and poor health. Poor baby.

Why I liked this it: despite the obviously historical setting, the poem feels very contemporary. It's a rich sensory experience, with the insects eying the baked goods and the cool feeling of the pavement after being splashed with water. This poem was published in the Morning Post the year Mary Robinson died


London’s Summer Morning

By Mary Robinson
Who has not waked to list the busy sounds
Of summer’s morning, in the sultry smoke
Of noisy London? On the pavement hot
The sooty chimney-boy, with dingy face
And tattered covering, shrilly bawls his trade,
Rousing the sleepy housemaid. At the door
The milk-pail rattles, and the tinkling bell
Proclaims the dustman’s office; while the street
Is lost in clouds impervious. Now begins
The din of hackney-coaches, waggons, carts;
While tinmen’s shops, and noisy trunk-makers,
Knife-grinders, coopers, squeaking cork-cutters,
Fruit-barrows, and the hunger-giving cries
Of vegetable-vendors, fill the air.
Now every shop displays its varied trade,
And the fresh-sprinkled pavement cools the feet
Of early walkers. At the private door
The ruddy housemaid twirls the busy mop,
Annoying the smart ’prentice, or neat girl,
Tripping with band-box lightly. Now the sun
Darts burning splendor on the glittering pane,
Save where the canvas awning throws a shade
On the gay merchandise. Now, spruce and trim,
In shops (where beauty smiles with industry)
Sits the smart damsel; while the passenger
Peeps through the window, watching every charm.
Now pastry dainties catch the eye minute
Of humming insects, while the limy snare
Waits to enthrall them. Now the lamp-lighter
Mounts the tall ladder, nimbly venturous,
To trim the half-filled lamps, while at his feet
The pot-boy yells discordant! All along
The sultry pavement, the old-clothes-man cries
In tone monotonous, while sidelong views
The area for his traffic: now the bag
Is slyly opened, and the half-worn suit
(Sometimes the pilfered treasure of the base
Domestic spoiler), for one half its worth,
Sinks in the green abyss. The porter now
Bears his huge load along the burning way;
And the poor poet wakes from busy dreams,
To paint the summer morning.

Poem of the day-Billy Collins

And another one, this time by Billy Collins (b. 1941.) This isn't one of his best but I love Billy Collins who seems to me like the poet you might give someone who thinks they hate poetry. There is zero pretension in his writing and his work always feels very welcoming to me.

Collins is famous, insofar as you can say that about a contemporary poet. He was the Poet Laureate from 2001-2003.

Why I like it: typical Billy Collins style here, almost but not quite folksy. Also, I love the references to Cherry Ames and Vicky Barr.

Canada

By Billy Collins
I am writing this on a strip of white birch bark

that I cut from a tree with a penknife.

There is no other way to express adequately

the immensity of the clouds that are passing over the farms   

and wooded lakes of Ontario and the endless visibility   

that hands you the horizon on a platter.


I am also writing this in a wooden canoe,

a point of balance in the middle of Lake Couchiching,   

resting the birch bark against my knees.   

I can feel the sun’s hands on my bare back,   

but I am thinking of winter,

snow piled up in all the provinces

and the solemnity of the long grain-ships

that pass the cold months moored at Owen Sound.


O Canada, as the anthem goes,

scene of my boyhood summers,

you are the pack of Sweet Caporals on the table,   

you are the dove-soft train whistle in the night,

you are the empty chair at the end of an empty dock.   

You are the shelves of books in a lakeside cottage:   

Gift from the Sea by Anne Morrow Lindbergh,   

A Child’s Garden of Verses by Robert Louis Stevenson,   

Anne of Avonlea by L. M. Montgomery,

So You’re Going to Paris! by Clara E. Laughlin,

and Peril Over the Airport, one

of the Vicky Barr Flight Stewardess series

by Helen Wills whom some will remember

as the author of the Cherry Ames Nurse stories.

What has become of the languorous girls

who would pass the long limp summer evenings reading

Cherry Ames, Student Nurse, Cherry Ames, Senior Nurse,   

Cherry Ames, Chief Nurse, and Cherry Ames, Flight Nurse?

Where are they now, the ones who shared her adventures   

as a veterans’ nurse, private duty nurse, visiting nurse,   

cruise nurse, night supervisor, mountaineer nurse,   

dude ranch nurse (there is little she has not done),   

rest home nurse, department store nurse,   

boarding school nurse, and country doctor's nurse?


O Canada, I have not forgotten you,

and as I kneel in my canoe, beholding this vision   

of a bookcase, I pray that I remain in your vast,

polar, North American memory.

You are the paddle, the snowshoe, the cabin in the pines.   

You are Jean de Brébeuf with his martyr’s necklace of hatchet heads.

You are the moose in the clearing and the moosehead on the wall.

You are the rapids, the propeller, the kerosene lamp.   

You are the dust that coats the roadside berries.   

But not only that.

You are the two boys with pails walking along that road,   

and one of them, the taller one minus the straw hat, is me.

Poem of the day-Taha Muhammed Ali

Today's poem from Poetry Foundation is by Taha Muhammed Ali (b. 1931.) He's interesting for a few reasons. He is Palestinian and self-taught. He is also a short story writer. His day job is running a souvenir shop in Nazareth. Rather than writing in Fus-ha like the classic poets he studied, he blends Fus'ha with colloquial (what a headache that would be trying to decipher it unless you were a native Levant speaker or very fluent.)

This poem is from his collection So What.

Abd el-Hadi Fights a Superpower

By Taha Muhammad Ali
In his life
he neither wrote nor read.
In his life he
didn’t cut down a single tree,
didn’t slit the throat
of a single calf.
In his life he did not speak
of the New York Times
behind its back,
didn’t raise
his voice to a soul
except in his saying:
“Come in, please,
by God, you can’t refuse.”
 
               —
 
Nevertheless—
his case is hopeless,
his situation
desperate.
His God-given rights are a grain of salt
tossed into the sea.
 
Ladies and gentlemen of the jury:
about his enemies
my client knows not a thing.
And I can assure you,
were he to encounter
the entire crew
of the aircraft carrier Enterprise,
he’d serve them eggs
sunny-side up,
and labneh
fresh from the bag.

More Bell Jar

I really liked the first half of this book--Esther in NYC, Esther adrift with her ambition and ambivalence. Things start to go downhill when she gets home and her depression really settles in. I got she's depressed but the suicide attempts came out of nowhere. Maybe Sylvia Plath felt that way as well.

It's less beguiling but there are still passages that really hit home with her mental state:

My mother told me I should be grateful. She said I had used up almost all her money and if it weren't for Mrs. Guinea she didn't know where I'd be...I knew I should be grateful to Mrs. Guinea, only I couldn't feel a thing. If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn't have made one scrap of difference to me, because wherever I sat-on the deck of a ship or at a street cafe in Paris or Bangkok-I would be sitting under the same glass bell jar, stewing in my own sour air.

Tuesday, July 5, 2011

Some great lines from The Bell Jar

I got it into my head that I wanted to re-read The Bell Jar. I'm not trying to make a ham-handed joke about depression but I read this about 20 years ago in college and it's, well, depressing how little I remember.

Sylvia Plath was so freaking talented. This book is really beautifully written.  And engaging. Even when Esther is not having a bang-up time at bar in New York City or touring her boyfriend's (whom she rather hates) medical school, I'm having a blast reading about it. You can tell she was a poet.

Here is her rapturous description of a luncheon thrown by a homemaking magazine where Esther and her fellow interns all later got food poisoning:

None of our magazine editors or the Ladies' Day staff members sat anywhere near me, and Betsy seemed sweet and friendly, she didn't even seem to like caviar, so i grew more and more confident. When I finished my first plate of cold chicken and caviar, I laid out another. Then I tackled the avocado and crab meat salad.

Avocados are my favorite fruit. Every Sunday my grandfather used to bring me an avocado pear hidden at the bottom of his briefcase under six soiled shirts and the Sunday comics. He taught me how to eat avocados by melting grape jelly and french dressing together in a saucepan and filling the cup of the pear with the garnet sauce. I felt homesick for that sauce. The crabmeat tasted bland in comparison. 

As stupid as this sounds, it's hard to imagine a girl who could so rapturously describe stuffing herself with free caviar and avocado would kill herself so soon afterwards. Also, that recipe sounds revolting.

Here's a funny anecdote about Esther attending a luncheon at her scholarship benefactor's house where she first encounters a fingerbowl:

The water had a few cherry blossoms in it, and I thought it must be some clear sort of Japanese after-dinner soup and ate every bit of it, including the crisp little blossoms. Mrs. Guinea never said anything, and it was only much later, when I told a debutante I knew at college about the dinner, that I learned what I had done. 

I like that she reads just like me (here from a book of short stories that the magazine editors gifted to everyone who got food poisoning from the crab salad):

I flipped through one story after another until finally I came to a story about a fig tree...I thought it was a lovely story, especially the part about the fig tree in winter under the snow and then the fig tree in spring with all the green fruit. I felt sorry when I came to the last page. I wanted to crawl in between those black lines of print the way you crawl through a fence, and go to sleep under that beautiful big green fig tree. 


This tree turns up later:

I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantine and Socrates and Attila and a pack of other lovers with queer names and offbeat professions and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out.

I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet. 


How much of Esther's depression is a result of her limited options. She talks in the opening lines about the Rosenberg executions which would make the setting the summer of 1953. She is chafing against the double standards between men and women. She doesn't want to go to school only to be a housewife like Buddy's mother. She doesn't want to study poetry just to leave school and be a secretary (for this reason, she refuses to learn shorthand from her mother.) She's bright and ambitious but she's lost and I don't feel like all of that can be laid at the foot of her brain chemistry. 


When she gets home from New York (after narrowly escaping a sexual assault), it becomes evident this is a major depression descending although Plath shows instead of tells:

I reached for the receiver. My hand advanced a few inches, then retreated and fell limp. I forced it toward the receiver again, but again it stopped short, as if it had collided with a pane of glass.





 

Sunday, July 3, 2011

Jean Clottes' Cave Art

I checked this book out from the library on a recommendation from the Slate Spoiler Specials podcast on Herzog's documentary, Cave of Forgotten Dreams (which is as amazing and overpowering as the critics say, see it in 3D.) I wanted to write down just a few of the things I learned from the book.

Jean Clottes has written several books on caving, including some on Chauvet Cave (the subject of the Herzog film.) He is a world expert on paleolithic cave art and has a small appearance in the movie-alas, he's not the guy in the animal pelt playing the Star Spangled Banner on a bone flute. That guy ruled.

Here is a picture of Jean Clottes in Chauvet:







Paleolithic cultures are named for the French sites where they were first discovered. 95% of documented cave art is in France and Spain.

Cave art is a characteristic of the Upper Paleolithic (45,000-10,000 BC) and may be divided up as follows:


  • Aurignacian culture (Wikipedia has different dates than Clottes. I'm just going to use his): 35,000+-28,000 years ago. This is the age of Chauvet (Ardeche, France.) Named after the Aurignac site.
  • Gravettian culture: 28,000-22,000 years ago. The "Venus" portable figures become popular during this era. Clottes also says that "Venus" isn't really the correct name. Named after La Gravette in Dordogne.
  • Solutrean culture: 22,000-17,000 years ago. This is the age of Lascaux (Dordogne, France.) Named for the Solutre site in Saone-et-Loire. Solutrean art appears to mostly in France and Spain.
  • Magdalenian culture: 17,000-11,000 years ago. Named after the La Madeleine in Dordogne. This is the age of Niaux (Ariege, France.)
To improve adhesion to the walls, the pigment was sometimes mixed with stone powder called extender.

Aurignacians and all of their successors are homo sapiens sapiens.

Saturday, July 2, 2011

Great lines from I Kill Giants

I don't normally do this for graphic novels because it's obviously kind of a package deal. But having just read and LOVED I Kill Giants, I wanted to preserve some of the wisdom of the great Barbara Thorson, fifth grader, misanthrope and giant slayer. And since it's a graphic novel, that's only half metaphorical.

To the motivational speaker brought in on career day:

"I find giants. I hunt giants. I kill giants. So you'll forgive me if 'motivating' a room full of losers with no self-esteem out of their hard earned money doesn't hold much interest."

Barbara and her principal on this incident:

{Principal}: "So can you tell me in twenty words or less why you were rude in class?"
"I wasn't. I was reading quietly until Ms. Dean asked me a question and then I answered it politely. Nineteen."
"Nineteen what?"
"Words. Following directions is the key to success."
"You need to fly right, Barbara. Stop talking back to your teacher and enough with the 'giant killing' nonsense or we start calling home."
" 'Nonsense'. With respect, Principal Marx..Until you've actually fought a giant...until you've looked into its eyes and seen the horrors that crawl behind them..until you've plunged your broadsword into their arteries and felt the hot wet spray of victory wash over you, intoxicated by the steaming perfume of spilled entrails.. you really have no right to judge me."

Barbara explaining the lore of her giant-killing hammer to Sophia:

"With this..the finest war hammer ever made, forged from a fragment of bone from the jaw of Ur himself..the Thunder-Maker, the Light Bringer. Coveleski the Giant Slayer."
"Your war hammer is Polish?"
"Ha! No, I named it that. Weapons of great renown have to have a name."

Barbara to the school bully:

"You should stop now."
"Or what psycho?"
"I will unleash a terrible fury.. and do things to you that will make God cry."

The sequence with the giant. Oh so good. I pretty much bawled my eyes out from there to the end. I must immediately read the back catalogues of Joe Kelly (JLA and Green Lantern for DC, Deadpool for Marvel) and JM Ken Niimura (all I see is a book on Manga in Spanish so uhm, maybe just Joe Kelly for now.)

Final thoughts on Downtown Owl + first and last

When I read the review for this book that motivated me to place it in the To Read category, they mentioned they didn't like the ending. Lots of readers on Goodreads didn't like the ending. I'm not sure I did. But, I don't know. Did I just want a happy ending? Was I just pissed Klosterman spent all this time getting me to care about Horace and Mitch and Julia only to...do what he did?

Apparently, the February 4, 1984 blizzard was a real event.

Interesting that the only first person narrator was Cubby Candy. Does this mean the rest of the story was narrated by Cubby Candy? Hmmm.

First:

When Mitch Hrlicka heard that his high school football coach had gotten another teenage girl pregnant, he was forty bushels beyond bamboozled.

Last:

He was five minutes from coffee. It was the greatest goddamn night of his life.